Temporal Alchemy in Reading as Ne Obliviscaris Weave Chaos and Carnage at Reverb

May 3rd, 2025 – Ne Obliviscaris is one of those rare bands that feels like an emotional journey every time you hit play. Their music blends the raw power of extreme metal with the elegance of classical composition, creating a sound that’s both ferocious and breathtakingly beautiful.

Photos + Article by Keith Baker ( @avgjoe_photo )

What sets them apart is their seamless fusion of harsh and clean vocals, brutal guitar riffs, and sweeping violin melodies that feel almost cinematic. It’s not just heavy music — it’s a deeply expressive experience, where every track feels like a chapter in a larger story. For fans of progressive and extreme metal, it doesn’t get more ambitious or rewarding than this.

One of the most impressive things about Ne Obliviscaris is their ability to craft sprawling epics that never feel bloated. Tracks like “And Plague Flowers the Kaleidoscope” or “Intra Venus” stretch past the 10-minute mark, yet hold your attention with dynamic shifts in mood, tempo, and intensity.

The band’s technical prowess is astounding — intricate drum work, intricate bass lines, and dueling guitar-violin passages are staples — but it never feels like they’re showing off. Everything serves the song. Tim Charles’ violin and clean vocals add a melodic depth that perfectly complements the newest member James’ guttural growls, creating a duality that’s as haunting as it is powerful.

And now, with the announcement of a new album set to drop in 2026, the excitement couldn’t be more intense. After the intricate beauty of Exul in 2023, it’s thrilling to imagine where they’ll take us next.

The band has always evolved with each release, pushing boundaries without losing their core identity. If the teasers and cryptic posts are anything to go by, this next chapter could be their most ambitious yet — and as a longtime fan, I’m absolutely here for it.

Ne Obliviscaris doesn’t just release music; they craft worlds, and 2026 can’t come soon enough.

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